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After a moment she turns deadly pale, and says, in a faint tone, "I know I am hurting you: I feel it." And in truth I believe the tender heart does feel it, much more than he does. There is an expression that amounts to agony in her beautiful eyes.,

"No man can," said the Raven; "there is only one old Thunder fears; there is but one he cannot kill. It is we. It is the Ravens. Now I will give you some medicine, and he shall not harm you. You shall enter there and try to find among those eyes your wife's, and if you find them tell the Thunder why you came and make him give them to you. Here, now, is a raven's wing. Point this at him and he will be afraid and start back; but if that should fail, take this arrow. Its shaft is made of elk horn. Take this, I say, and shoot it through the lodge.",

Early in the morning, as soon as the sun had risen, they took down their lodge and packed their dogs and started for the camp of the stranger. When they had come to where they could see it, they found it a wonderful place. There around the piskun, and stretching far up and down the valley, were pitched the lodges of the meat eaters. They could not see them all, but near by they saw the lodges of the Bear band, the Fox band, and the Raven band. The father of the young man who had visited them and given them meat was the chief of the Wolf band, and by that band they pitched their lodge. Truly that was a happy place. Food was plenty. All day long people were shouting out for feasts, and everywhere was heard the sound of drumming and singing and dancing.,

There is a pause. In shrinking doubt she awaits the moment that shall make him take advantage of her words. But that moment never comes. In vain she waits. At length she lifts her eyes, and he, flinging the parchment at her feet, cries, roughly,—

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"Do not be afraid," said Kŭt-o-yĭs´.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

Success at last rests with her. Slowly the panel moves, and, sliding to one side, displays to view a tiny cupboard that for many years has been lost sight of by the Rodney family. It is very small, about half a foot in depth, with three small shelves inside. But, alas! these shelves are empty.,

For the first time she stoops forward and presses her lips to Mona's warmly, graciously. Then she leaves her, and, having told her maid to take the rose-water to Mrs. Rodney, goes downstairs again to the drawing-room.